Murder on the Orient Express

The Albert Finney version of Murder on the Orient Express (1974) is the first film version I will compare to the book. It is the oldest film adaptation I know of and figured it would be the best one to start with. A film packed with stars of the time, I suspect it was the movie to be in. The question is, how close is it to the book?

DVD cover. Drawn portraits of the cast of Murder on the Orient Express starring Albert Finney as Hercule Poirot.
Murder on the Orient Express

Daisy Armstrong is kidnapped

Newspapers flash across the screen. Young Daisy Armstrong has been kidnapped and murdered. We see as Daisy is taken from her bed. Her stuffed toy falls to the floor on the way out of the house. Staff members are attacked. Daisy’s parents arrive home, ready to pay the ransom for their daughter. The ransom is paid, but Daisy is killed anyway.

Five years later, Detective Hercule Poirot (Albert Finney) is traveling on the Orient Express. He was not supposed to be on the train, but an urgent matter forces him to change his travel plans.

The berths are full, but with a little rearranging, Poirot is able to find a place to sleep. This is supposed to be a simple train ride. It may have remained that way if it weren’t for a snowstorm and murder. A murder connected to Daisy.

Ratchett is disliked by everyone

Ratchett (Richard Widmark) is a passenger no one is particularly fond of. Even Poirot doesn’t care for him. He turns down a job Ratchett wants him to do. This does not go over well with Ratchett, but Poirot remains firm.

Despite their encounter over the job offer, when Ratchett is found dead, it is Poirot who investigates the murder. It is during this investigation that Poirot realizes Ratchett is really a man named Cassetti. Cassetti is the man responsible for Daisy Armstrong’s murder.

Poirot’s time to investigate is limited

With the help of railway director Bianchi (Martin Balsam) and fellow passenger Dr. Constantine (George Coulouris), Poirot investigates the circumstances of Ratchett’s death. Time is limited, although not as limited as it could be. The train is currently trapped in a snowstorm and unable to reach its destination. However, with a storm raging, it is possible the murderer could make their escape before Poirot solves the case.

Hand-drawn drawing. Footsteps in the snow.
Snow Walk
Kate Dorsey

Poirot looks into a long list of suspects

As I said, this film is packed with stars. Here is the cast of characters. Or should I call them suspects?

Pierre Paul Michel (Jean-Pierre Cassel)—a train conductor

Hector McQueen (Anthony Perkins)—Ratchett’s secretary

Edward Beddoes (John Gielgud)—Ratchett’s valet

Mrs. Hubbard (Lauren Bacall)—an American woman

Greta Ohlsson (Ingrid Bergman)—a Swedish charity worker

Princess Dragomiroff (Wendy Hiller)

Countess Helena Andrenyi (Jacqueline Bisset)

Count Rudolf Andrenyi (Michael York)

Colonel Arbuthnott (Sean Connery)

Cyrus B. Hardman (Colin Blakely)—another American

Antonio Foscarelli (Denis Quilley)—an Italian-American car salesman

Mary Debenham (Vanessa Redgrave)—a governess

Hildegarde Schmidt (Rachel Roberts)—the princess’s maid

Not an exact adaptation, but close

There are some distinct differences between the book and this film adaptation. One of the biggest, which I didn’t fully realize until I was writing, was the name change for the railway director. In the book his name is Bouc. In this film it is Bianchi. The valet’s name changed too. It changed from Masterman to Beddoes. Why? I have no idea.

Another change is the interviews. In the book, for some people there is more than one interview. For the film, there is only one official interview for each character.

One of the pieces of evidence is different as well. In the book a woman is seen near the time of the murder in a red dressing gown. In the film, the dressing gown is white with red on it.

There are still other changes. Daisy Armstrong’s murder is mentioned right away in the film. In the book it is not mentioned until later. Also, there is a story about Arbuthnott’s wife. Now maybe I keep missing it, but I have been unable to find any mention of a wife for Arbuthnott in the book.

As for the actual end, there is a slight change there too. I won’t say what in order to keep the ending a secret for anyone who does not know who the culprit is.

Most of these changes are slight and not drastic. For the most part, this film adaptation stayed pretty close to the original story. Thinking about what I have watched in the past with the other two films, I don’t know if I will be able to say the same for them. I will rewatch both to be sure.

There is one more thing to note about this version of Murder on the Orient Express. When Sean Connery is on the screen, he completely takes it over. No matter who he is with, all I am able to see is Sean Connery. So, if you are a Sean Connery fan, this is definitely a film to watch.

Murder on the Orient Express by Agatha Christie

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