Murder on the Orient Express

The David Suchet version of Murder on the Orient Express definitely veers away from the book. The core story is there, but so much else is different.

DVD Cover of Murder on the Orient Express. A train on a blue background.
Murder on the Orient Express

Hercule Poirot’s beliefs are challenged

Hercule Poirot’s (David Suchet) summation does not go according to plan. The guilty party, a soldier, shoots himself before Poirot can have him arrested. This suicide rattles Poirot, but he remains certain the soldier would not have felt he must go to such desperate measures had he not lied in the first place. He also insists that no matter the reason for the crime, justice must be done.

After this, Poirot witnesses a woman being stoned to death. The woman was carrying the child of someone who was not her husband, leading to this punishment. Of course, we do not see any punishment towards the man.

A couple witness the stoning too. The woman, Mary Debenham (Jessica Chastain), is particularly distressed, but there is nothing any of them can do.

This all happens before Poirot even knows he will be on the Orient Express. He hadn’t planned on being on the train, but an urgent matter calls him back to England. After running into railway director Bouc (Serge Hazanavicius), Poirot is guaranteed a berth on a very packed train. Some of the other passengers are not happy about his presence.

Mary Debenham is on the train too. She tries to talk to Poirot about what they saw, but he dismisses her concerns. He justifies the stoning by saying that what they saw was considered justice in some countries, and that the woman broke the rules. Pretty much he’s implying that based on the rules of where they were, the punishment fit the crime and the woman was at fault. This does not go over well with Mary.

Poirot denies Ratchett what he wants

Also on the train is a very unpleasant man named Ratchett (Toby Jones). He is a man used to getting what he wants. What he wants now is Poirot.

For a while Ratchett has been receiving threatening notes. He wants Poirot to protect him during their journey. Poirot refuses. No amount of money will convince Poirot to work for Ratchett.

Two men in tuxedos stand one behind the other. The man in the front is uncomfortable with the situation.
Murder on the Orient Express
Toby Jones, David Suchet

Poirot’s investigation begins

During the night, Ratchett is murdered. Poirot is asked to investigate. Obstetrician Dr. Constantine (Samuel West) helps him. Well, he helps him to a point. Dr. Constantine has the tendency to come up with wild theories of the murder that Poirot does not appreciate.

Bouc also helps, sort of. He is far more concerned about the train’s reputation than anything else. He is also pretty inept at keeping things in order. Actually, Bouc is pretty much inept at everything. How he made his way up to director, I have no idea.

To help with his investigation, everyone is assembled in one car and Poirot begins his interviews. The people he must interview are:

Train conductor Pierre Michel (Denis Ménochet)

Ratchett’s secretary, Hector MacQueen (Brian J. Smith)

Ratchett’s valet, Edward Masterman (Hugh Bonneville)

American Caroline Hubbard (Barbara Hershey)

Missionary Greta Ohlsson (Marie-Josée Croze)

Princess Natalia Dragomiroff (Eileen Atkins)

Count and Countess Andrenyi (Stanley Weber and Elena Satine)

The man who witnessed the stoning with Mary, John Arbuthnot (David Morrissey)

Italian American Antonio Foscarelli (Joseph Mawle)

Mary Debenham

The princess’s maid, Hildegarde Schmidt (Susanne Lothar)

The group does not take well to being questioned. They also have even less sympathy for Ratchett’s murder when they find out he is really a kidnapper and murderer named Cassetti.

When the culprit is revealed, there is a lot of talk about what should be done. The passengers believe the murder was justice because of what Ratchett got away with in life. Poirot disagrees. He does not see murder as justice. That is what the courts are for. Except in Ratchett’s case the courts failed. Faced with this reality, Poirot must figure out if he is going to turn in the culprit or not.

A movie unlike the book

As I said, this version of Murder on the Orient Express is very different from the book. There is a lot of discussion about religion, justice, and the psychological impact of events. Also, Poirot seems really weary. It’s as though he has had enough of the world and has lived too long. On top of this, the answer to who killed Ratchett is not exact to the book. Mostly accurate, but not fully.

Something else I noticed is the passion Poirot has for his beliefs and what he does for a living. If he is going to investigate a case, he is going to do it right, no matter the circumstances. I did not get this much passion from the book or the Albert Finney film version.

This Poirot also has a passion about what other people do. He definitely has a view on how life should be lived. When others do not live up to those views, he becomes frustrated to the point I worry about his health. It is not good for anyone to get as angry as he does. It can do the body a lot of harm. This might be why Poirot is slowing as he is.

I have one more note about David Suchet’s Murder on the Orient Express. The snowstorm and lack of heat on the train provided a lot of drama to this film. Be ready to feel cold.

The final film adaptation of Murder on the Orient Express I will watch is Kenneth Branagh’s. I hope I can get beyond the mustache and follow the story.

Murder on the Orient Express by Agatha Christie

Murder on the Orient Express Albert Finney 

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